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This was the reason Finn became interested in particle systems when he first started designing.
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“We try to simulate how light would pass through the density of the particles, and for ‘Curious Incident’ this was especially useful because it really feels like you’re pushing down into the stage, until the floor is no longer a floor anymore.” “With theatre and live performances, we’re always trying to make it seem as though the flat surfaces have depth to them,” said Finn. He created and controlled the individual particle effects, which appear as motion displays of light, with Red Giant Trapcode Particular. Finn broke Christopher’s world down into projected 3D particles that draw the audience into his thoughts. Controlled Particle Effectsįinn said, “The floor and three walls define Chistopher’s playground, as the story takes place from his perspective – a great deal of which revolves around mathematics.” His set design took advantage of the elegant, idiosyncratic way prime numbers work, and turned their unpredictable nature into an orchestrated sequence of graphical effects. When he is accused of killing the dog, he uses his extraordinary brain to solve the crime, turning his own life upside down in the process. Based on the book of the same name by Mark Haddon, the play is the story of 15-year-old Christopher, who comes across a neighbour’s dead dog. The stage is proportioned like a cube, described by a floor and three walls marked out like giant pieces of graph paper from a maths workbook.įinn needed to overcome several interesting challenges to stage ‘Curious Incident’, which eventually won a Tony Awardfor Best Scenic Design of a Play. Instead, the almost empty stage explodes with numbers and sparkling galaxies, all synchronised with the main character’s thoughts, due to the work of video designer Finn Ross. Unlike most plays, ‘Curious Incident of the Dog in the Night-Time’, an award-winning Broadway production, has no physical set. ‘Curious Incident’ Lights Up Broadway with Red Giant Trapcode Particular Play, using millions of Trapcode Particular’s particles to transform theĬharacter’s imagination into graphical effects. Video designer Finn Ross projection mapped the stage for this Broadway